The transition is dramatic, to say the least, from this sallow swathe to the absurdity that is Cappadocia's towers. Across the gauntness one sees a small block on the horizon grow bigger and bigger and bigger till it clearly is Uchisar (Three castles?), a massive fortress of rock burrowed out from the core to a hundred windows and doors. Past this and down the windies we go, down into the valley where Goreme lies, rock pillars everywhere, resembling a wizard's hat, pacman, and sometimes, most definitely, a phallus. It is an awe-inspiring place, from the prosaic modern structures on the ground up to the windows embedded in a rock home, to the tips illuminated in the golden yellow of the streetlights. Here the minaret has much competition for prominence. Adjacent stands a rock tower with two columns, broken off midsection, a tomb for an unknown Roman.


An additional eight lyra later I am in the Dark Church, so named for the lack of windows, and it is spectacular. The renovated colors are, according to the sign, livid, and I agree: vividly livid. The scenes from Jesus' life swirl above, about, and around the four pillars. The figures are beautiful but stare at me in gaping blindness. They have been the victims of iconoclastic Muslims through the centuries. Strange that these vandals thought they were doing a religious deed, and stranger that only the eyes were removed but the body left. Navy, maroon, and gold are the principal colors, and I can just imagine the faithful arriving to pray amonst the wavering candles; the surrounding depictions reminders of why God took on fleshly physical form, sacrificed Himself, and is now seated, as in the church, at heaven's throne till Judgment Day. These frescoes act as visual tools: for the neophyte, introductory instruction, to the wizened bishop, a reminder to keep focus, to meditation on the centrality of Christ and his life.
The morning air rustles with fire. I had slept well in the bowels of my chimney hostel and arose early to catch the sunrise. I make my way up a steep hill when a frighteningly large balloon looms overhead. It drifts silently, reminding me of Hollywood scenes where a German zeppelin malignantly appears to catch up some nefarious spy. The balloons are everywhere, a polka-dot scheme on the horizon, rising, floating, falling, and the rustle as a stream of fire shoots skyward.
I managed a discount price on a tour, a means of transportation to the far-fetched Ihlara Valley, but first a stop at the underground city where the Christan Cappadocians would vanish before the invading armies of Persians, Arabs, and Mongols. Inverse castles you might say, descending some eight stories, 100m (300 ft.) below the surface. It is all quite dreary actually. No frescoes, no light, no views, the city was made for survival, and most definitely not for people my height. Giant round stones stand guard a the passageways, a last-ditch measure if the invaders discovered the lair.
It is easy to see what drew the monks to Ihlara Valley. The quite communing with God, gleaning metaphors and similes from nature's ways. A river runs the gorge, lush trees lining the sides while green hillsides rise to sheer basalt cliffs, spotted occasionally by a black rectangle that is the entrance or meditative window of a dwelling. The tranquility excites me, for I am seeking the same harmony that the monks did. The river wanders by as always, and barring the everloving, obnoxious, freakin-A flies, it is perfect.
Indiana Jones. That's who I am! The previous churches were unspiring, the frescoes whatever, and alas Abdullah, Murat, and Ahmet had been there already, their carvings blatant. The smell of urine tops it all off. But the dwellings, oh, now that is something for the adrenal gland. I explore multiple dwellings, a labyrinth of tunnels going far back in the cliffs. A poor headlamp augments the mystique of the small chambers, adjoining storage units, and a dark, narrow, foreboding opening. A tunnel going up. I enter, step up. Up, duck down, up, up, where does this go? Up, old rocks. Collapse. No, must go further, up, hint of light. Another small chamber overlooking the valley. The river runs far below, and down the canyon cave dwellings run as far as the eye can see. Monk City.
I spent the night on the river's bank, a bit paranoid that I would be robbed by an inhabitant of the nearby village. Not exactly tranquility, but utter solitude was mine as I read a book and thought. I hit the trail early but made horrible time, distracted by blackberry bushes and more cave dwellings. High up on the cliff, an arched chamber lies exposed to the valley, and I decided to search for the way up, sure of encountering a maze. Through the ground-level entrance I find the same immense, round stones that were in the underground city and crawl past. Two feet of space, vertically and horizontally, the passage leads into another chamber, another stone, halfway buried in the ground, and six columns, hiding their tales in the darkness. On the walls notches were carved for the monk's candles, and the residue of the wax remains. Back out and up to a chimney slot. Startled pigeons shoot the coop, droppings falling dangerously close to my head. I do not want to explore with bird poo in my eye. It is meant to be climbed, but the notches are worn and covered with nests, and poo. These holds are opposite each other in the square shoot, and by stretching across the opening it is possible to wedge oneself up the slot. Up I go, slowly, aware of my potentially dangerous solitude if something goes wrong. Another step up, and I am thirty feet above the cave floor. These must have been troglodyte monkeys, pun intended. Down below the valley, cave dwellings, river rushing by, and blackberry bushes stretch out in my eye. Above the arched roof neatly intact. A small room adjoins with a slot window for the monk to look out as he prayed. I sit on the cliff's edge, and the call to prayer wafts down the gorge. Yes, I feel like Indiana Jones, but to be honest, I know for a fact that Mustafa, Yasar, and Nehmet have already been here. Bless their hearts.
More pics on facebook.